DANCE OF GHOSTS INSPIRED FROM GUPI GAYEN AND BAGHA BAYEN MOVIE BY GREAT SATYAJIT RAY: THIS ANIMATION DEPICTS THE THREE TYPES OF GHOSTS THE FAT ONE FROM UPPERCAST ,ONE ON MIDDLE FROM MIDDLECLASS AND THIRD FROM LOWER CAST OF THE SOCIETY

 

KING OF GHOST ON EXTREME BACK ARRANGE THE DANCE OF GHOSTS FOR GUPI AND BAGHA

GHOSTS FROM UPPER CLASS OR FATTY KIND

Middle Class Ghost

GHOST FROM LOWER CLASS VERY THIN BAD HEALTH

KING OF GHOST ON EXTREME BACK ARRANGE THE DANCE OF GHOSTS FOR GUPI AND BAGHA

My 3D animation Adaptation of Gupi gayen and Bagha Bayen and King of the Ghost(Bhuter Raja ) and his three boons

 

My  3D animation Adaptation of Gupi gayen and Bagha Bayen and King of the Ghost(Bhuter Raja ) and his three boons

My  3D animation Adaptation of Gupi gayen and Bagha Bayen and King of the Ghost(Bhuter Raja ) and his three boons

Goopy–Bagha is a series of Indian Bengali fantasy adventure comedy films. The series is based on a story by Satyajit Ray's grandfather Upendrakishore Ray Chowdhury The first  film on Goopy Gyne Bagha Byne (1969)

The story revolves around Gopinath Gayin (alias Gupi, played by Tapen Chatterjee), the son of a poor grocer Kanu Kyne from a village called Amloki. Goopy wants to become a singer but has a hoarse voice. Persuaded by village elders to sing for the king, he does so and is driven out of Amloki on a donkey for waking the king with his terrible singing. Exiled into a forest, he meets Bagha (Rabi Ghosh), another exile from nearby Hortuki sent to the forest – in Bagha's case, due to playing the drum badly. They start singing and drumming, initially to scare off a roaming tiger, and in the process, they attract a group of ghosts who are fascinated by their music. The king of ghosts grants them three boons:

They can get food and clothes whenever needed by clapping their hands.

They are given a pair of magic slippers with which they can travel anywhere.

They gain the ability to hold people in awe (literally, their music renders people motionless) with their music.

Gopi and Bagha first meeting in the dense forest after exile from their villages

After the first Meeting they Gopi started singing in hoarse voice and Bagha playing the drum badly initially to scare off a roaming animals in the dense forest

n the process, they attract a group of ghosts who are fascinated by their music

in the process, they attract a group of ghosts who are fascinated by their music

                                                                                  

                                                                              

The king of ghosts grants them three boons

The king of ghosts grants them three boons:

They can get food and clothes whenever needed by clapping their hands.

They are given a pair of magic slippers with which they can travel anywhere.

They gain the ability to hold people in awe (literally, their music renders people motionless) with their music.

My  3D animation Adaptation of Gupi gayen and Bagha Bayen and King of the Ghost(Bhuter Raja ) and his three boons

Gupi Bagha 3D Maxfile

Gupi Bagha 3D Maxfile

The BEASTMASTER scene strikes as a mythic snapshot of human–animal kinship. Two cavemen stand confident beside their saber-toothed tiger and woolly mammoth ,with their child

 

Two cavemen stand confident beside their saber-toothed tiger and woolly mammoth ,with their child

Reflections on “BEASTMASTER”

The BEASTMASTER scene strikes as a mythic snapshot of human–animal kinship. Two cavemen stand confident beside their saber-toothed tigers and woolly mammoths, blending primal strength with an almost ritualized harmony. The lush forest backdrop anchors them in a world that feels alive yet untamed, inviting viewers to imagine a prehistory where humans formed alliances rather than just hunted megafauna.
Strengths of the Composition
• Dynamic contrast between the small, human figures and their colossal companions creates an immediate sense of awe.
• The animal skins, raw textures, and natural color palette root the scene in a believable “Ice Age” aesthetic.
• Symmetry of each caveman paired with a specific beast reinforces the narrative of dual guardianship and shared purpose.
Ways to Deepen the Narrative
1. Introduce subtle visual cues—like bone amulets or totemic markings—to hint at the tribe’s culture and belief system.
2. Layer in environmental storytelling: scattered stone tools, cave paintings in the background, or footprints that reveal a larger caravan.
3. Play with lighting and motion: a shaft of sunlight illuminating the mammoth’s tusk or a low growl from the saber-tooth to heighten drama.

Beastmaster Max file picture

Two cavemen stand confident beside their saber-toothed tiger and woolly mammoth ,with their child

Two cavemen stand confident beside their saber-toothed tiger and woolly mammoth ,with their child

Early Homo Species pair with Smilodon (Early Tiger) as Guardian and protector of the Jungle as well as animal world

 

Homo with Smilodon Max File1

Homo with Smilodon Max File2